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“I did this episode, and it went out, and I got a text message a couple days later that said, ‘Hey, they just talked about you on the Rush Limbaugh show.’ Apparently Rush Limbaugh thought that I was literally proposing this. Rose Eveleth on her episode “The Carbon Gene”: Because it’s a lose-lose situation if I make them look like they’re predicting something that they’re not, and then they get mad and then other scientists don’t want to talk to me, so I’m pretty careful about that stuff.” … As a scientist it’s always really risky when you start talking about hypotheticals, because your job is not to talk about hypotheticals, your job is to talk about what you know and what you can test and what you can measure, and so I do try to be very careful and very clear, and try to separate the scientists from the zany, future-y stuff as much as possible. Some of them have had their work misrepresented in the past. “There are some scientists who don’t want to do future stuff, which I totally understand. SCIENCE FICTION PODCASTS FREE MOVIEGeek's Guide to the Galaxy Valerian Would Make a Great Silent Movie … I also felt like public radio rarely talked about the issues within science fiction and fantasy, and the really interesting, in-depth conversations that the fans were having about this kind of stuff.” SCIENCE FICTION PODCASTS FREE TVAnd I always found with other public radio shows, or like NPR, when they would cover this stuff, they absolutely had to mention how much money these movies were making, or how many viewers this TV show had, just to justify why they were talking about it, and I remember that frustrated me a lot. “The people listening to the show very often would not be very well versed in, and I felt like I often had to keep justifying why we were talking about this on public radio. And check out some highlights from the discussion below. Listen to the complete interview with Rose Eveleth and Eric Molinsky in Episode 272 of Geek’s Guide to the Galaxy (above). ![]() “But I also sometimes feel like it’s more important to have a good show, and sometimes I think there’s a little bit of fetishizing nice microphones.” “I think that there is this thing in public radio where they want the most pristine sound, which makes sense if you have a big budget and you have studios and you can do that,” she says. “And I just wonder, what is the future for podcasts like mine?”īut Rose Eveleth feels that many people-particularly those who work in radio-tend to overestimate the importance of high production values. SCIENCE FICTION PODCASTS FREE SERIAL“I feel like ever since Serial came out there’s been this whole influx of really highly produced, high-quality podcasts,” says Geek’s Guide to the Galaxy host David Barr Kirtley. But is all this content going to draw listeners away from the fans-and-writers talk shows that have traditionally dominated sci-fi podcasting? Sci-fi fans are also being treated to professionally-produced audio dramas like Steal the Stars, Limetown, and The Message. “That was the first thing I remember noticing with Roman Mars and 99% Invisible, which was one of the first big podcasts, was that it sounded like public radio, but he could make it as long as he wanted, which was so liberating for a public radio producer,” Molinsky says. He was drawn to podcasting in part because of the freedom to go deep on his favorite geeky topics. Another highly-produced show is Imaginary Worlds, created by Eric Molinsky, whose long career in public radio includes work for Morning Edition and All Things Considered. ![]()
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